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Bibliography:

Women in the Early Motion Picture Industry


Abel, Richard. The Cine Goes to Town: French Cinema, 1896 - 1914. Berkeley: University of California, 1998.

Acker, Ally. Reel Women: Pioneers of the Cinema, 1896 to the Present. New York: Continuum, 1991.

Armatage, Kay. Back to Nell Shipman, unpublished manuscript, 2001.

____________. "Nell Shipman: A Case of Heroic Femininity." In Gendering the Nation: Canadian Women's Cinema. Eds. Kay Armatage, Kass Banning,

Brenda Longfellow, Janine Marchessault. Toronto: University of Toronto Press, 1999.

Beauchamp, Cari. Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. New York: Scribner, 1997.

Blaché, Alice Guy. The Memoirs of Alice Guy Blaché. Translated by Roberta and Simone Blaché. Edited by Tony Slide. Lanham, Md.: The Scarecrow Press, 1986.

Blaché Alice Guy. "Women's Place in Photoplay Production." In Women and the Cinema. Eds. Karyn and Gerald Peary Kay. New York: E.P. Dutton, 1977.

Brownlow, Kevin. Behind the Mask of Innocence. New York: Knopf, 1990.

Bruno, Guiliana. Streetwalking on a Ruined Map: Cultural Theory the City Films of Elivira Notari. Princeton, NJ: Princeton University Press, 1993.

Cherchi Usai, Paolo. Burning Passions: An Intro to the Study of Silent Cinema. London: British Film Institute, 1994.

Flitterman-Louis, Sandy. To Desire Differently: Feminism and the French Cinema. Urbana: University of Illinois Press, 1990.

Foster, Gwendolyn Andrey. Women Film Directors: An International Bio-Critical Dictionary. Westport, Conn: Greenwood Press, 1995.

Fussell, Betty Harper. Mabel: The Life of Mabel Normand. New York: Limelight, 1992.

Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Harvard, 1991.

Jacobs, Lewis. The Rise of American Film: A Critical History. Rev. ed. New York: Teacher's College Press, Columbia University, 1948.

Heck-Rabi, Louise. Women Filmmakers: A Critical Reception. Metuchen, N.J.: Scarecrow Press, 1984.

Kaplan, E. Ann. Motherhood and Representation (London: Routledge, 1992).

Kay, Karyn and Gerald Peary, eds. Women and the Cinema. New York: E.P. Dutton, 1977.

Kuhn, Annette, ed. Women in Film: An International Guide. New York: Fawcett, 1990.

____________, ed. Queen of the "B"s: Ida Lupino Behind the Camera. Westport, Conn: Praeger Publishers, 1994.

Lacassin, Francis. "Out of Oblivion: Alice Guy Blache." Sight and Sound 40, no. 3 (Summer 1971): 151-54. Repr in Sexual Stratagems: The World of Women in Film  Ed. Patricia Erens. New York: Horizon Press, 1979.

Maas, Frederica Sagor. The Shocking Miss Pilgrim:A Writer in Early Hollywood. Kentucky,1999.

MacCreadie, Marsha. The Women Who Write the Movies: From Frances Marion to Nora Ephron . Seacaucus, NJ: Birch Lane Press, 1994.

Mayne, Judith. Directed by Dorothy Arzner. Bloomington: Indiana University Press, 1994.

McMahan, Alison. Alice Guy Blaché: Lost Visionary of the Cinema. NY: Continuum, 2002.

Norden, Martin F. "Women in the Early Film Industry." Wide Angle 6, no. 3 (1985):58-76.

Petric, Vlada. "Esther Shub: Film as a Historical Discourse." in Show Us Life. Ed. Tom Waugh.

Pollock, Griselda. Differencing the Canon: Feminist Desire and the Writing of Art's Histories. London: Routledge, 1999.

Rudman, Lisa, "Marriage--The Ideal and the Reel: or, The Cinematic Marriage Manual," Film History 1, no. 4 (1987): 327-40.

Quart, Barbara. Women Directors. New York: Praeger, 1988.

Shipman, Nell. The Silent Screen and My Talking Heart. Boise State University, 1987.

Slide, Anthony. Early Women Directors. New York: A.S. Barnes, 1977.

____________. Lois Weber: The Director Who Lost Her Way in History. Westport, Conn: Greenwood Press, 1996.

____________. Nitrate Won't Wait: A History of Film Preservation in the U.S.
(McFarland, 1992)

____________.The Silent Feminists: America's First Women Directors.
Metchuen, NJ: Scarecrow Press, 1996.

Sloan, Kay. The Loud Silents: Origins of the Social Problem Film. Urbana: Illinois, 1988.

Smith, Sharon. "Women Who Make Movies." Women and Film No.2 (1973):77 - 91.

____________.Women Who Make Movies. New York: Hopkinson and Blake, 1975.

Staiger, Janet. Bad Women: Regulating Sexuality in Early American Cinema. Minnesota, 1995.

____________. "The Hollywood Mode of Production to 1930," in The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. Eds. David Bordwell, Janet Staiger, and Kristin Thompson. New York: Columbia University Press, 1985.

Stamp, Shelly. Movie Struck Girls: Women and Motion Picture Culture after the Nickelodeon Princeton, N.J.: Princeton University Press, 2000.

 
 
 
 

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